Category: violence against women

#CanLit at the Crossroads: Violence is Nothing New; How We Deal With it Might Be

Over at Maclean’s Magazine, Brian Bethune has referred to it as a “CanLit class war.” In The Globe and Mail, Marsha Lederman has dubbed it an “all-out CanLit civil war.” In her various highly publicized statements and Tweets, Margaret Atwood has levied references to North Korean dictatorships, lynching, and the Salem Witch Trials (mostly the latter). I am referring, of course, to the recent painful polarization in the Canadian literary community that has resulted from the publishing and signing of an open letter in support of “due process” for former UBC creative writing instructor Steven Galloway, who was fired from the university for behaviour that created, in UBC’s words, a “an irreparable breach of trust.” Much has been made of the content of the letter itself, as well as the silencing effect of 80+ signatories standing in seeming solidarity not with the complainants of the case, but rather solely with Galloway himself. Speculation around the case has run wild, although with recent confirmation by his lawyers that Galloway was involved in an affair with a student (but also that he was the subject of complaints of sexual harassment and assault) it is hard to deny that the CanLit community must currently reconcile itself with the misconduct of one of its most prominent and powerful members. Hearts are heavy, nerves frayed: understandably so. What strikes me as strange, however—and entirely counter to actually confronting the situation at hand—is the suggestion (by some) that this is a grand ideological and generational rift of contemporary Canadian Literature, and that if only we could hearken back to the days of cozy literary compatriotism, we might be able to heal the wounds caused by this scandal.

For those who may be less familiar with Canadian Literature as a literary community, as a scholarly discipline, and as a national cultural institution (intertwined as these all are, given the tight-knit nature of Canadian literary production and criticism), I can understand why this might seem like a shocking turn of events. After all, literature is so embedded in our collective Canadian consciousness that since 1979, our national broadcasting company has sponsored a prestigious writing competition, one that, as described by the CBC itself, allows “Canada’s best writers [to use] the CBC Literary Prizes as a springboard to national and international acclaim.” Moreover, since 2002, the CBC has also hosted Canada Reads, a “battle of the books” in which five celebrities champion five different books during a week-long, publicly-broadcasted television and radio event which results in the selection of one book that all of Canada should read. This is, all told, a seemingly unique national pastime, and one that is not without both significant economic and cultural impact. As UBC English professor Laura Moss notes in a 2004 editorial in Canadian Literature, the inaugural competition was so terrifically popular that the winning novel, Michael Ondaatje’s In the Skin of the Lion, “sold approximately eighty thousand copies more in 2002 than in 2001” (6). However, as Moss also points out, her unease about events such as Canada Reads lies precisely in the sort of collective-yet-entirely-depoliticized national spirit that it attempts to promote: “Canada Reads has become a new instrument of culture formation. It is intent on drawing Canadians together by creating a shared cultural background. The winning titles reinforce certain popular notions of Canadianness” (7). In other words, at least part of the public project of Canadian literature, much like the idea of Canada itself, has been to promote a narrative that runs counter to the existing rifts and violent histories within itself.

Twelve years after Moss published this editorial, it is safe to say that the bizarre and mutually reinforcing relationship between Canada and its national literature, at least in its popular and public image, has reached a fever pitch. Writers like Margaret Atwood and Joseph Boyden have become outspoken critics and prominent national voices in conversations around climate change, political freedoms, and Canada’s ongoing legacy of colonialism. To say that Canadian authors have merely adopted the roles of public intellectuals, cultural ambassadors, or social critics would be an understatement; in many cases, their voices and names have actually eclipsed those of other scholars, critics, and intellectuals. In his recent Walrus piece entitled “The CanLit Firestorm,” Simon Lewsen suggests that “along with David Suzuki and the NDP, CanLit was the moral conscience of the nation. That’s not to say it was didactic […] but just that people wrote with a sense of ethical purpose, and readers appreciated their commitment.” This sense of morals or ethics, Lewsen argues, translated into serious cultural power for several Canadian writers, who, whether they wanted it or not, became “CanLit […] heroes—powerful, established heroes, whose reigns lasted decades.”

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How our heroes have fallen. In the past week, Margaret Atwood has defended herself against the “bullies” and “keyboard warriors” who are inflicting “burn wounds” and “noose marks” on the signatories of the CanLit letter, and Briarpatch Magazine has removed Joseph Boyden as one of the judges of their “Writing in the Margins” literary contest. Criticism and consequences from within the CanLit community itself: it’s hardly what most would expect, which might explain the shock and awe of media who are attempting to understand precisely what is going on. Even Lewsen suggests that “suddenly, CanLit’s inner circle is looking less like moral trailblazers and more like an establishment—an institution with its own internal values and interests to defend.”

Of course, the truth is that CanLit has always been an institution with its own internal values and interests to defend, and that while Lewsen is correct in suggesting that the “once quiet precincts of CanLit are suddenly more rancorous than they’ve been in decades,” CanLit was never a “community that once seemed harmonious,” particularly for those who have been either pre-emptively or retro-actively excluded, especially when they have actively pushed back against the CanLit establishment. Although I am a Canadianist by training, I do not claim to have a comprehensive view of Canadian literary history and each instance of fissure and fracture within its ranks. What I can say, however, is that a literary tradition that includes the Confederation Poets as part of its origin story—a group of white men and a woman or two, including politician Duncan Campbell Scott, who sought to “get rid of the Indian problem”—is necessarily going to have to constantly fight with its past and ongoing colonial, patriarchal, and white supremacist histories. A literary tradition that has been Anglocentric in nature and has excluded Québécois literature from its canon must confront its past and ongoing Francophobia. A literary history that has either dismissed Indigenous literatures written in Canada, or appropriated them without any recognition of or respect for Indigenous literary and cultural sovereignty, must confront its past and ongoing colonialism. A literary history that includes significant backlash against those who organized the 1994 Writing Thru Race conference, which was open only to self-identified writers of colour—some called it a “a nasty serving of cultural apartheid” —must confront its past and ongoing white supremacy. A literary history that has traditionally been dominated by men (see the work of Canadian Women in the Literary Arts for their vital work in this area) must confront its past and ongoing patriarchy. A literary history that includes the unlawful seizure of queer literature at the Canadian borders, and the recent attempts to censor and rescind a Governor General-award winning text for its explicit content must confront its past and ongoing homophobia. A literary history that still fails to centre trans writers and disabled writers must confront its past and ongoing transphobia and ableism.

And so, to suggest that CanLit has, as Lewsen has argued, “[operated] under a broadly progressive consensus” is to deny that that the tensions of the past week or so reflect a much broader history of oppression, or as Vancouver poet and scholar Ryan Fitzpatrick has phrased it, that “what gets called CanLit is historically a site of struggle.” To suggest that Canadian literature is somewhat monolithic as a genre, that it ought to encompass a certain canon of texts, or indeed, that its community of writers, critics, and scholars have historically achieved “consensus” of any kind is revisionist history at best. At worst, it perpetuates the kinds of ideological formations of community that make it difficult, if not impossible, for oppressed people to speak up against those who wield power.

CanLit, we might then say, is a kind of “imagined community,” to borrow the term coined by political scientist and historian Benedict Anderson. In 1983, Anderson theorized the nation as a social construction, held up in large part by the idea that while we might never meet most of our fellow countrypersons (or writers, scholars, and critics), we imagine a sort of “communion” between them and ourselves: we project shared interests, mutual values, and a common history, even of all or none of these exist. Perhaps the most pointed and valuable part of Anderson’s notion of “imagined community” is the idea that “regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship. Ultimately it is this fraternity that makes it possible, over the past two centuries, for so many millions of people, not so much to kill, as willingly to die for such limited imaginings” (7). Anderson is referring here largely to the context of war, but his argument nevertheless raises questions about similar dynamics within the imagined community that is CanLit: what are the actual inequalities and exploitations that prevail within it? How is this “deep, horizontal comradeship” constructed and upheld, and by whom? How far are we willing—or are forcedto go in order to defend it or suffer for it?

Certainly, in the current CanLit context of Steven Galloway’s firing, we have to acknowledge the dynamics of power that lie within the institutional and educational environments of literary study and instruction. In a field such as creative writing, when professors’ roles as mentors not only include instruction but also function as gateways to literary careers, the power wielded by someone like Galloway is immense, as is the damage caused when this relationship is exploited or violated. In “Stories Like Passwords,” published in The Hairpin in 2014, Emma Healey describes how this power operates, particularly in situations where there is harassment and assault:

“The men in stories like this always have just enough power, in their little worlds and in ours, that to confront them would be to court an ordeal, to invite others to question our own memories and motives. It’s always more trouble than it’s worth. If you don’t have hard proof, if you don’t have a police report, then what do you have? Only what you remember. Only what you felt.”

Safe to say that given the repercussions—both personal and professional—of reporting any sort of misconduct or harassment (be it the theft of a student’s work or an assault perpetrated against them) has to be carefully weighed against the realities of the systems we currently operate within. It takes immense courage to come forward with a complaint, because as who have reported various forms of misconduct, violence, and oppression know all too well, there are truly few benefits to doing so (despite the claims that there is a pot of gold at the end of the survivor-rainbow, which I can certainly attest to being nothing but a falsehood perpetuated by victim-blamers). Rather, there are likely more consequences: the loss of friends, the loss of a potential career, the loss of income, the loss of time, the loss of sleep, the loss of trust. And so on. More often than not, I suspect, victims do not come forward precisely because they have been conditioned to worry about the health and wellbeing of “the community” over and above their own. Don’t cause a fuss. Don’t disturb the peace. It’s for the greater good.

While we have a tendency to individualize the problem of violence and misconduct within our communities—“bad apples” or “lone wolves,” depending on the case—we know, too, that there are systems of power that actively uphold and defend those who enact harm. I don’t mean to suggest that this is always deliberate. I doubt that the all of the signatories of the Open Letter are part of some scheming cabal of CanLit literati who seek to destroy anyone who speaks ill of them or deigns to file a complaint against one of their own. (They’re not.) Rather, the system – the entire system –  is built to accommodate those who do harm, and it is upheld by much more than a few staunch defenders or unwitting apologists. As Healey puts it:

These men do not work, or live, or act in a vacuum. Unless they are masterminds or psychopaths (and they cannot all be), their behavior, or aspects of it, is often visible. These men are everywhere. They write and they edit and they teach. They have small magazines and small presses and small reading series. They have publishers and editors, they have podcasts and publicists sending them books to review. The influence they wield may seem insignificant to those in their community who have moved beyond their reach, but for those who haven’t, it is more than enough to frighten or threaten or silence. Their power comes from institutional support, whether implied or explicit, and it comes from systems that rely on the victims of harassment to be the ones who take down their abusers by speaking out in public.

I remind you once again: this is decidedly not new, and certainly not limited to UBC or Galloway or even the field of creative writing. These power dynamics and forms of institutional support predate Galloway and will follow him, too. After all, Healey’s piece was published in 2014, a full year before the first rumblings were stirred about the Galloway case, as was CWILA’s project “Love, Anonymous,” which, in the wake of Ghomeshi, offered a series of stories about various experiences of assault and abuse within Canadian literary communities. It is true that the Galloway case has emerged as a distinct flashpoint in the national conversation on institutional policy and procedure, sexual misconduct, and sexual violence, and it is also true that it very publicly centres these issues in the literary community like perhaps never before. But it is not new, has never been new, will never be new: it is embedded in our society, of which CanLit is (despite the utopian yearnings of writers’ unique enlightenment) certainly a part.

If can we acknowledge that CanLit as both an abstract construct and as a concrete community of people have always been marred and complicated by power and violence, then we are asked to face a much broader and more frightening reality, which is that regardless of whether or not Galloway was fired, and regardless of whether or not his grievance is successful, that there are serious issues to be faced within the community. As much as I agree wholeheartedly that university processes of handling such cases are inherently flawed (insofar as they work to protect the institutions, not the faculty, students, or staff), and that systemic change must be made in order to give due process and fair treatment to both complainants and respondents, we cannot rely on universities and the police alone to somehow solve the problem of violence and abuses of power. That Judge Boyd did not “substantiate” the complaint of sexual assault against Steven Galloway does not mean that it did not occur, which many seem to be conveniently forgetting. Even in the criminal justice system, a lack of charges laid in a case does not mean that a case is unfounded (which would mean that the police has proved that the claim was false).

A lack of evidence as considered by universities and the law does not mean that we are absolved of having to consider these matters within our own circles. With the gross abuses of many universities and police forces—see the recent events in Val d’Or, where dozens of Indigenous women’s cases of abuse by Sûreté du Québec police officers were dismissed—we also need to divest ourselves of the colonial power of these systems, because they are and will continue to be stacked against those who are the most vulnerable. I am not suggesting that rather than develop a stand-alone sexual assault policy, that UBC simply dispense of any and all of its responsibility. As a survivor of sexual assault at UBC, and as a member of the expert panel tasked with making recommendations about best practices for the policy, I have spent years railing against the injustices of the system. I understand the frustration so profoundly. I do.

In addition to advocating for institutional change that treats both parties fairly, I am also suggesting that CanLit as a community consider its own responsibilities, duties, and accountabilities towards each other: the responsibility not to abuse positions of power; the duty to recognize our privileges; the accountability to all members of a community, especially those who are most vulnerable. We owe this particularly towards the woman who has just broken her silence about the case, whose story – whose existence, whose life – will not simply disappear when UBC’s arbitration is completed. We owe this to current and future generations of Canadian writers, scholars, and critics, many of whom have shared their stories in “Love, Anonymous,” many who are sharing their stories quietly, across the whisper network, and many who will never share their stories at all.

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We do this not by calling for a healing or cease-fire within our community, or by ignoring the elephant in the room: that a woman has come forward with a story about assault at the hands of a prominent Canadian writer, and that there are many other such stories circulating within the community.

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She, more than anyone, has gotten lost in this whole mess. She, more than anyone, deserves to be more than an anecdote in a story about how a literary community waged a “civil war,” deserves to be heard over our din of self-congratulation and self-defense, rationalization and rage, deserves to be more than an example of how UBC fails miserably when it comes to sexual assault allegations, deserves to be more than a blip in Canadian literary history. 

Campus Sexual Assault: the Educational Experience I Never Wanted

The University of British Columbia University Sexual Assault Panel‘s report, which provides recommendations for both the university’s stand-alone policy as well as their sexual assault action plan, goes to President Martha Piper today, and it will have its public release at a date soon to be determined. I have spent the past three months working weekly with a group of excellent and committed UBC faculty members on this report. We have all put in more hours than originally anticipated, and in the last few weeks in particular I have been living and breathing this report every single day. This has been difficult, and I must emphasize, completely voluntary work. It has been work that comes with more costs than it does rewards.

And there have been costs for me, ones that I cannot even yet fully grasp.

While it has been a choice to go public and to advocate for change around sexual assault in educational institutions, it has also changed my life irrevocably, and not always for the better. I have given up my privacy. In many cases, I have given up my dignity: the most traumatic incidents of my life have become fodder for trolls on the internet. In being such a vocal critic of universities, I have also potentially signalled my liability as an employee in academic spaces. I do not have the protection of job security or the academic freedom that comes with a tenured position. I have tried to do all of this work while also balancing my research and my teaching. It is financially precarious, emotionally and intellectually arduous, and often frighteningly lonely.

In doing this work, I have also lived and re-lived some of the most humiliating and traumatizing incidents of my life. It is no coincidence that of the six incidents of sexual assault I have experienced since 2002, five of them have taken place on the campuses of educational institutions, UBC included. As is evident by so many of the stories coming out in the press, educational spaces are ones in which violence often goes un-checked, or worse, covered-up. Policies are lacking. Resources are non-existent or understaffed. Education around responding to disclosures is not always present or consistent. In the past three months, as I have had to give more thought to how UBC should be better equipped to respond to reports and disclosures of sexual assault, I have thought about my own assault that took place at UBC more than five years ago, one that I pushed as far into the recesses of my mind as possible so that I could focus on my doctoral degree.

I should say that deciding not to deal with that sexual assault more or less succeeded. To the outside world, anyway. In the years after my assault in 2011, I received federal funding for my scholarly work; I became a Liu Scholar at the Liu Institute for Global Issues; I presented my work at numerous national conferences; I’ve published in top journals in my field; I’ve become a consultant on national and provincial anti-violence initiatives; I’ve sat on countless panels, given countless interviews, written countless articles. I passed my doctoral defence with only two typos as revisions. My C.V., which details the past six years of my doctoral career, reads almost flawlessly, as if nothing ever happened.

But something did happen.

A few weeks into the spring term of 2011, just over a year into my doctoral program, I was sexually assaulted in the graduate lounge of my department, by student who had recently graduated from the program. I will spare you the preamble and the gory details, not because I am ashamed, but because they don’t particularly matter, and I am, despite my public persona, an intensely private person. But what you need to know is that I was terrified. Having someone’s arm crushing your sternum, and very nearly your throat, will do that do you. And afterwards, I was lost. I sought help at the Sexual Assault Support Centre, which, at that time, was located at the back corner of the old Student Union Building, right on the edge of what used to be MacInnes Field. In order to get to the front door of the SASC, you had to walk through and past all of the SUB’s garbage and recycling bins. I hope I do not need to explain that the fact that accessing support services adjacent to the building’s trash disposals made me feel as though I, too, was trash. Having tried to report sexual assault during high-school (and getting nowhere) and reporting stalking in my time at SFU (and only getting a rape whistle and a pamphlet), I knew that I wasn’t about to try yet again to receive any sort of justice. So I said nothing. And I did my work. It wasn’t the first time I’d been assaulted, and as it turns out, wasn’t the last. Somehow, violence can take on a strange sense of ordinariness. It becomes a thing that just happens before you get back to work.

Except when you dream about it. Except when it affects every single moment of your life. Except when you’re in crowds, or small spaces, or big crowds, except when you don’t have a seat close to the exit in the room, except when someone frightens you. Except then.

If this is the way things are for me, I want things to be different for others.

Truthfully, I want to live in a world where sexual violence doesn’t exist at all, but if that can’t happen, I want to live in a world where survivors of sexual assault are supported and believed, and where there are robust systems of accountability for both perpetrators and institutions. I believe that the judicial system is flawed, and that we need better options for education and rehabilitation.

I know that I don’t have all the answers.

But what I know is this: I want to live in a world where my fellow survivors and allies do not have to file human rights complaints (Mandi Gray – York University, Glynnis Kirchmeier – University of British Columbia) against their institutions because they are being failed; where we do not have to go to the media because the schools we attend will not listen otherwise. I want to live in a world where survivors do not feel as if they have no choice but to drop out of school, as recently happened at Simon Fraser University. I want to live in a world where survivors, like Lizzy Seeberg, do not take their lives because they are, as Rehtaeh Parsons’ father put it regarding his daughter’s suicide, “disappointed to death” by systems that re-traumatize and re-violate survivors.

I know that the report will not fix everything.

Nor will the policy. Nor will all the blue phones in the world. Because horrible things still happen. Nor do I think everything at UBC is broken, either. There are many good people working in a complicated and often-broken system, one that is ultimately dependent on the fact that a university is not simply a place of learning, but also a business. There are already so many front-line workers (those at the SASC in particular, under the leadership of the incredible Ashley Bentley) and staff members who provide services to sexual assault survivors at UBC every day.

There are UBC faculty who have signed the petition demanding better for their students, and apologizing for not having done enough. They organized a fantastic day of discourse and dialogue around sexual assault in February of this year. I am grateful especially to other students who are doing such amazing work: the ones who worked tirelessly in the decades before I even arrived on campus, the ones who I have stood with in my own time as a student, the ones who take up the torch now. This journey has connected me to so many of you, not just at UBC, but across the country, and although we have come together under such awful circumstances, I am so glad and grateful to know you. I wish you didn’t have to go through this. I know it’s such hard work. I keep a fire for you in my heart, always.

At the end of the day, I am not a faculty member, nor an administrator, nor a politician. I do not hold exceptional power within the UBC system. I am just a person who has been fortunate enough to hear stories that have been disclosed to me in whispers and private messages and phone calls. I am humbled by those stories, even as they keep me up at night, worried. I am just a person who has gone through some extremely difficult experiences, ones that I don’t care for anyone else to have to go through. That these experiences have occurred in the context of my schooling is painful; painful because school has otherwise been a place of joy for me, painful because sexual violence formed part of a curriculum I had no desire to have delivered to me. I have, as Raymond M. Douglas writes in his book On Being Raped, gained knowledge, but “not the sort that does you, or anybody else, any good. When I was raped, I learned things about myself and the world I live in that it would have been far better not to know. And for most of my adult life, the knowledge has been killing me” (4). I could have happily gone through my educational career without these particular insights. I could even have written my dissertation on representations of sexual violence without the added expertise of lived experience.

Having finished my PhD, I now leave the hallowed halls of UBC behind, hoping that in some small measure, they have become a better place for survivors because I and others have spoken up, and because panels like the one I was privileged to be a part of are doing the work that they are doing. I am aware of the fact that the increased scrutiny of the university’s response to sexual assault has been a nightmare for students, faculty, staff, and administrators alike.

51OmLU9LfHL._SY344_BO1,204,203,200_But I don’t think that the fact that UBC is currently under pressure to respond thoughtfully is a bad thing. Following the publication of his book Missoula: Rape and the Justice System in a College Town, Jon Krakauer faced incredible amounts of backlash by the town of Missoula itself, by the University of Montana, and by the police force. As reported by Jacob Baynham on Outside Onlineone woman left this comment on Krakauer’s Facebook page: “I am so disappointed in the title of your book,” said one woman on Krakauer’s Facebook page. “I hate to see a lovely town’s reputation get destroyed.” But as Krakauer points out, Missoula is just one example of the epidemic of sexual violence across America. Missoula could just as easily be Stanford, could just as easily be here in Vancouver. But the conversation sparked by such intense scrutiny has, at least as far as is being reported, created actual change. After a town hall forum in Missoula, Baynham reports that Krakauer was asked if he’d send his daughter to the University of Montana. “I would,” he said. “I think the university is safer now than most schools. Missoula is a lot better than most places. You have this big problem, but you’ve gone a long way toward fixing it.”

I think that the University of British Columbia can be a Missoula: not the school to be made a painful and humiliating example of, but the school that paves the way for comprehensive change at all levels of administration and campus life, and does in a way that does not simply prioritize supporting sexual assault survivors because it will look like a better strategy for fundraising. Call me an idealist, but I think it’s possible. And there are so many people, myself included, who want to make that happen. There are countless people with whom our panel consulted of the course of our work. The university’s draft sexual assault policy has been released, and both campus and community stakeholders are invited to give feedback here.

But for now, I take my leave from my alma mater, look for brave new worlds. There is so much anti-violence work out there to do, and I will continue to do it. May the development of the UBC sexual assault policy and the action plan be an honest process, tempered by humility and by courage. For all of the survivors of sexual assault who live and work at UBC: I love you, I am in awe of you, I believe you.

Much luck and much love,

Lucia